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Number of Titles Found: 3
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| Title: A Sunflower and Space Book About Business And Pleasure |
| ISBN10-13: 8799791536 : 9788799791538 |
| What exactly are we talking about when we talk about business and pleasure? Who knows anymore. In an ode to simpler times, Sunflower, Space Books and photographer Maximilian Semlinger present a photographic story fondly remembering working 9-5, slow time Mondays and boring Wednesdays. clocking off to get on with the real business of life, pleasure. In this book you'll find two stories, Business, shot by Maximilian at the Potsdamer Strasse studio of our architect friends Gonzalez Haase, and Pleasure, photographed on a small island along the Hohenzollern Canal in Berlin. |
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Pages: 96
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| Published: Moon (Books) - August 2020 |
| Format: Paperback |
| Subjects: |
| List Price: 15.00 Pounds Sterling |
| Availability: No Longer Distributing
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| Title: 1 of: 3 |
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| Title: Been On My Own For Long Enough |
| ISBN10-13: 8799791544 : 9788799791545 |
| Photographers Benedict Brink and Clare Shilland unveil an intimate book project with MOON and SPACE Magazine chronicling life in lockdown. Two of Londonâ s most promising photographers, Benedict Brink and Clare Shilland, have collaborated on a book with the team behind SPACE magazine and its publishers MOON, launching in October 2020. Been On My Own For Long Enough features photographs taken from March to September 2020 during lockdown. In the absence of work and routine Clare and Benedict shot the world around them intuitively and compulsively â reflecting their need to connect to and understand their environment and experiences through images. Their observations have now been turned into a book, and an exhibition at APM gallery in south London October 23rd. Clare Shilland spent lockdown at home in Peckham, London, with her partner and children. Benedict was in her flat in London and later in the English countryside. The title of their joint project, Been On My Own For Long Enough, is a line from Blinding Lights by The Weekend, a song played to death over summer, the unofficial anthem of lockdown. Clare and her kids danced to it a hundred times in the kitchen. Benedict played it on TikTok constantly. Half the world was listening to that song, everyone on their own. Together. â Clareâ s intensely personal visual record of family life in lockdown features bloody noses, bathtimes, cut knees and scraped skin. Benedictâ s work is intimate and immediate, exploring beauty, texture, environment, desire, and sensuality in the everyday. On one hand, these are off-guard, personal moments. On the other they tell a story of this anxious strange time, which we can all relate to, a story we felt an urge to share with the world. â - Frederik Bjerregaard, creative director, Moon |
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Pages: 0
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| Published: Moon (Books) - October 2020 |
| Format: Paperback |
| Subjects: |
| List Price: 22.00 Pounds Sterling |
| Availability: Reprint under Consideration
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| Title: 2 of: 3 |
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| Title: MAMMA HANNA MARTINA TEXT PAINTINGS PHOTOS |
| By (author): Hanna Moon, Hanna Moon, Martina Hoogland Ivanow |
| ISBN10-13: 8799791528 : 9788799791521 |
| â Sometimes you have to put reason aside and make something beautiful. â This quote by the Brazilian architect Oscar Niemeyer is a favourite of ours, and it felt right to use it in a publication that started life in his home country. Last year, at around this time in fall, we hatched a plan with one of Scandinaviaâ s most significant artists, Mamma Andersson, to collaborate on the publication you now hold in your hand. She was about to leave to curate an exhibition at one of the largest art biennales in the world, the São Paulo Art Biennial, held in the Ciccillo Matarzo Pavilion, designed by Niemeyer. Mamma Andersson remains for many an enigma. She rarely gives interviews or talks about her process. That changes here with a long-form interview that began just before the biennale, a conversation stretching over one year and three continents with her old friend Greger Ulf Nilson. In this series of encounters she reveals more about her paintings, those dreamlike expressive compositions with a suspenseful cinematic feel. Acclaimed for its psychological depth, the work is imbued with mystery and a certain strangeness. In her candid conversations with Greger we also learn about Mammaâ s life with her husband, the artist Jockum Nordström, in Stockholm and on the island of Gotland where they have a summer house. The paintings by Mamma Andersson on these pages are mostly new works, many of them from the exhibition she curated at the São Paulo Art Biennial. With this publication the intention has been to reveal Anderssonâ s work in a new context, outside the walls of a gallery, alongside two photographers â Hanna Moon and Martina Hoogland Ivanow â inspired by her universe. As Mamma says of the titles of her works, our wish is â to provide viewers with a platform to direct their thoughts onto a track that they hadnâ t thought of. â Hanna Moon, the South Korean artist and fashion photographer, joins Mamma Andersson in Brazil as she installs her exhibition at the 2018 Bienal de São Paulo. Moonâ s photographic project is the antithesis of reportage, a personal investigation of her experience of the city. Her confrontational work may appear on first glance to be a million miles from Anderssonâ s, and yet in its tone, intimate but also unfamiliar and disturbing, we perhaps trace reverberations of Anderssonâ s universe. With her dreamily dark photo-essay the Swedish artist, filmmaker and photographer Martina Hoogland Ivanow documents Mamma Andersson and the island of Gotland where she lives and works during the long light days of the Nordic summer. There is a natural kinship between the two artists â some kind of psychic connection linking the beguiling painterly photographs of Hoogland Ivanow and Anderssonâ s haunting hypnotic works, a sense of the re-imagining of memory. One could easily get lost in Mamma Anderssonâ s world and this publication doesnâ t give any clear answers. Being part-monograph, part-magazine we simply hope for the immediate excitement we experience looking at Anderssonâ s paintings. Inspired by Niemeyer, we decided to put reason aside and, in collaboration with Hanna, Martina, Greger and Mamma, to make something beautiful. Frederik Bjerregaard |
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Pages: 154
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| Published: Moon (Books) - November 2019 |
| Format: Paperback |
| Subjects: |
| List Price: 30.00 Pounds Sterling |
| Availability: No Longer Distributing
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| Title: 3 of: 3 |
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